|Posted by Nelly Matova on March 12, 2019 at 1:00 PM|
This is a scary dreadful word for everyone who has decided to study an instrument. Here I will share some advice about how to practice and what is best for students who want to deal with the stress of practicing.
Is practicing really scary? WHY?
Well, it takes time (time out from those endless computers games), it requires focus and thinking (how we hate to practice instead of watching meaningless reality shows, cooking shows, games, soap operas), and requires being proactive and responsible (how we don't like any of this).
So what to do? First answer the question WHY do you need to practice? Because you want to achieve something, to learn something new and improve your skill. Because everything meaningful and worthwhile in life comes only with effort, and anyone saying the opposite is intentionally leading you towards failure.
So where is the fun? Fun is in the action of solving the puzzle called a music score, and learning it, being able to play it every time you wish after that. The fun is in thinking!!!
All good, but a child cannot think this way. So without parents to remind, to help and to guide, achievement obtained through practice will not happen. So now parents may be feeling angry, at one more thing for them to supervise. But it only takes 10 min.! What more important could you do in this short time?? You need to create the habit, the routine and make sure it is not changed.
So how should we practice?
Little children and first year students should practice 5-10 min. per day, either in the morning, or 5 min twice per day. Start by warming up the hands by playing with one finger only (the 2nd, or 3rd), up and down the keyboard with each hand. Then, learn one of the pieces in the assignment. Next time, warm up and do the second piece from the assignment.
Parents: when supervising please observe and correct POSTURE (TALL back), LEGS (both firmly on the floor, not crossed), FINGERS (LIGHTLY CURVED SHAPE), DISTANCE FROM PIANO (ELBOW length), HEIGHT OF THE BENCH (your child’s arms should appear horizontal to the keys, not coming up from underneath).
Second-Third year students: here we acquire more complex skills, so practice should be different and longer (30 min. per day). This is the time the serious foundation is built for lasting success.
Start with a slow warm-up (2nd and 3rd finger up/down key sequences) then play the assigned scale at a slow tempo. Parents! LOOK FOR RELAXED WRIST, OVERALL relaxed feeling. TALL BACK, FEET grounded on the floor. To assist with practice you can use a cooking clock or other timer to measure each section of daily practice.
Continue with the assigned technique building exercise. All this for 5 min.
The next 10 min are for learning your music. Start with the newest piece and work on difficult segments and passages by repeating and polishing them. Do not repeat fast, but slow; the goal is to be without errors. This is the only way to learn to play always without errors. You consistently need to teach your fingers to play ONLY in the correct manner, by doing it at the slower tempo first. Try to memorise these excerpts at the same time. When needed, during the lesson I write specific instructions on which sections need to be practiced more. Focus on them. Before this is done, DO NOT PLAY the composition in its full length.
Next 10 min.: practice the piece which is older and needs only polishing, here you can play longer excerpts and focus on expression, correct pedal, dynamic, and character. Listen actively: do you play the correct notes, chords, is it soft or loud? Is this correct? Look at the music! If some technical errors appear, isolate the segment and repeat slowly a few times.
Last 5 min: Always finish your practice with a piece which you know and enjoy playing.
Your 30 min. practice can be divided into two (morning, afternoon) sessions; start both halves with slow warm-up and scales. Use the first half for the newer composition, and in the second, practice for the older composition.
This way of practicing gives fast results, so just use it. Looking forward to your comments.
|Posted by Nelly Matova on September 20, 2017 at 10:55 AM|
Occasionally I stumble on adverts like "cheap piano lessons" or teachers offering some deal. Let's think for a minute. Do you look for a cheap dentist? Or surgeon? I suppose you don't, because they can harm you.
Well, it is the same with a piano instructor. While less visible, they can certainly harm your children physiologically. You get only what you pay for.
Who advertises cheap lessons? People without a relevant degree or proper experience, people who need a quick buck and are not interested in a long term commitment to your child, people who have other things on the side and only teach for a hobby. In general, people who should know that they are not expert enough. Do you want a dentist who is actually a singer to fix your teeth? Or do you want a surgeon whose training is as a construction worker?
Well, it is the same in music. You get what you pay for. It is your decision. Most piano teachers have graduate degrees and have studied for decades. This education comes with a high price tag, and they value that. They know stuff. You want one of these teachers.
But what can go so wrong with an amateur teacher, you may ask? For a start, a wrong hand position and uncorrected poor body posture from the beginning can lead to injuries, stiffness, inflamed tendons, and problems with the back and neck. These conditions can slowly creep into the hand and body until it is too late. Then it can take years for a good pedagogue to fix that, if indeed it’s actually possible to fix it. Then there is the matter of the wrong use of the pedal, which I see over and over. Is it worth the initial saving?
But, you may argue, we want just to try, we don't want our child to go professional, only to learn a few melodies. Yes, I know, but it is still the same. You don't get the cheapest surgeon because you need surgery only on one leg, or to operate on your intestines?? Do you go for a cheap botox because it is only on one wrinkle? Yes?? No??!
So: how to go about finding a good professional?
Ask what they have studied. For how long? Keep in mind that if your teacher is a trumpet player and has never played piano, he/she most likely has no idea about hand/body work on the piano, or maybe not in enough detail to work usefully with children and adults. Yes, he/she may know about music or style, but it is not enough.
On the other side, people with a degree in composition, theory, or conducting will have studied piano for decades. Often it is requirement for them in order to study for said degrees. What about teachers with an MA in piano? Excellent choice! On the other hand, please don't go for someone who leads a band, orchestra, etc. and has him/herself only had a few lessons in piano. Be really careful with someone who has a BA in general music education, in general they do not understand the importance of proper piano teaching technique.
Search the internet. Ask to see prospective teachers’ credentials. Go visit the teacher's lessons and talk to parents at the studio. Ask for referrals from friends. But, do not go for adverts for "cheap piano lessons" or " big discount."
Everyone who knows his art got there after years of study, and this is pricey. Value their effort to get there, respect them, and value your money.
Now find your child a seasoned piano teacher. Happy learning, and good luck!
|Posted by Nelly Matova on November 14, 2014 at 2:25 PM|
|Posted by Nelly Matova on August 19, 2014 at 7:45 PM|
Hello dear piano students,
Yes, you are getting ready for the new school year and suddenly you realize you haven't practiced piano much this summer. What to do???
Resist your first impulse to go and start playing fast to compensate for the lost time.
Start with slow warm-up. Give the hands time to remember what they used to do well (let's hope this was the case!)
Play some scales, SLOW with no force on the hands.
Then play some easier music you used to play well in the begining of the last semester.
If it feels fine, then you start working SLOW on your current music.
Since, you haven't practiced whole summer do not do it for 3 hours now. Clearly, your hands are rusty and need time.
Practice a few times a day but for a short time (10 min) and gradually move to your standard practicing routine (I hope you had one) in a few days.
If you haven't had a good routine now is the time to find your own best pace. Make your own plan!
Happy practicing and successful new school year.
Enjoy your new piano performance achievements!
|Posted by Nelly Matova on June 6, 2014 at 1:15 PM|
You want to learn to play the piano but you don't like to practice. WHAT TO DO?
1. Approach the practicing as a game
2. Set up small practice sessions (10 min. each) two or three times a day. Build a habit .
3. Set up a small goal for each practice. Try to reach your goal in the time you have. Concentrate!
4. PLan your practice time and each time start with different music from your lesson list to avoid boredom.
5. Reward yourself for each goal you reach in your practice.
6. Finish each practice with something you play well or just have learned.
7. Remember, all the small practices acumulate over time. Before you know it, you will be playing the piano.
|Posted by Nelly Matova on May 23, 2014 at 5:45 PM|
These are simple rules to guarantee the health of your hands.
Wash your hands before you practice.
Always start your practice with warm up.
Always start the warm up playing slow. Remember it is like warming up before running long distance, or warming the car in the winter. NEVER SKIP WARM UP!
Be gentle on your hands. Take 5 min. breaks for every 15 min. of practice (for beginners) and every 20 min. (for intermediate students). For more advanced students with longer practice time: alternate 20 min. practice with 10 min. hands rest.
Best is to split your practice in two smaller daily practices. The results are better. Warm up twice.
If you miss a day of practice, add up the time to the following three days.
Have a system: after warm up one day start with the piece which needs most work, the next day start with the one which needs the least work. Have fun planning your practice!
In the winter: coming from outside give 10 min. time to your hands to adjust to the room temperature and then start your practice.
Use protective hands lotion when outside in the winter and wear gloves.
In the summer: after playing volleyball or basketball, give your hands a rest for at least 45 min. before you start practicing the piano.
Remember: practicing piano gives a great exercise to your hands and brain. Enjoy it.
|Posted by Nelly Matova on June 28, 2013 at 4:40 PM|
The second round of Express Summer Program starts July 1st. With two weekly lessons students really advance fast. Lots of fun playing piano.
|Posted by Nelly Matova on June 4, 2013 at 11:00 AM|
I have started my Summer EXpress Program. Week 1. I am expecting exciting results from the students. Busy time for me too, with two lessonsper week for each student who attends this program.
|Posted by Nelly Matova on April 11, 2013 at 2:10 PM|
The new book by the famous conductor Ricardo Muti brings the essence of his experience as Verdi performer. For more about this book, please follow the link:
|Posted by Nelly Matova on April 3, 2013 at 2:15 PM|
The classical musicians usually start the practice with scales and arpeggios, followed by etudes. Is this necessary or it is just a mater of routine and old fashion studies? No. No. It is very important for the gradually warming up of the hand. For more detailed explanation, please, refer to the following: